This paper analyzes the emotional portrayal of Nayakas and Nayikas in Kathak, highlighting their significance in storytelling and aesthetics.
Kathak, one of the eight classical dance forms of India, is deeply rooted in storytelling, particularly in expressing themes of love, devotion, and human emotions. Central to Kathak's narrative expression are the figures of the Nayaka (hero) and Nayika (heroine), whose emotional states and interpersonal dynamics offer a rich palette for abhinaya (expressive dance). This paper explores the historical, theoretical, and performative significance of Nayaka and Nayikas in Kathak dance, focusing on their classifications, emotional portrayals, and continued relevance in both traditional and contemporary performances. Through classical theory and performance analysis, the study emphasizes how the Nayaka-Nayika bhava not only enhances the aesthetic value of Kathak but also provides dancers with a profound medium for emotional storytelling.
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Tarun Sen Gupta (2024) studied this question.
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