This essay examines Shelley’s use of trees in poetry, suggesting a complex relationship with Wordsworth’s nature imagery.
William Wordsworth, deemed the ‘Poet of Nature’ by Percy Bysshe Shelley, is well known for his affinity with trees. This essay directs attention to Shelley’s arboreal poetics of place through Wordsworthian allusions in Alastor and related compositions. Shelley’s trees branch throughout his various forms of composition, from the drawings of trees in his manuscript notebooks, to rhetorical figures within his poems and descriptions of trees observed in letters. Contrary to Shelley’s apparent rejection of Wordsworth in the Preface to Alastor, the ‘woodland state’ of a related poem, ‘Verses Written on Receiving a Celandine in a Letter from England’, underscores the persisting importance of Wordsworth’s place in Shelley’s arboreal poetics.
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Amanda Blake Davis (2025) studied this question.
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