This analysis examines terrorism's portrayal in Pynchon's and DeLillo's narratives, indicating Cold War influences on their depiction.
This piece explores the conceptions of terrorism in two novels that stand separated by the calamitous events of September 11th, 2001: Pynchon's Against the Day and Don DeLillo's Underworld , with special focus upon the genesis of these depictions in Cold War politics and notions of capitalist statehood.
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Martin Paul Eve (2013) studied this question.
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