Nam June Paik’s artistic experiments, especially the distortion of the electronic image with magnets, from which he started, provide the author a defining example and reference point for his audiovisual work. The possible combinations of analog and digital techniques open up new doors for contemporary media artists. In this artistic statement the author describes some of his own experimental works of art in the hopes of stimulating a discourse on experimentation and innovation.
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Zsolt Gyenes (2024) studied this question.
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