The author considers the use of innovative 3D printing technologies as a tool used by modern clothing designers striving for uniqueness and a futuristic look of their products. Particular attention is paid to the prospects for introducing 3D printing into the fashion industry and the opportunities it provides for individualisation, experimentation with shapes and textures, as well as the creation of new aesthetically attractive designs. The article may be of interest to students of the creative speciality of Fashion Design, design specialists exploring modern technologies in the fashion industry, as well as for those interested in innovation and creative approach to modern and promising clothing design. 3D printing allows one to create unique and personalised products such as jewellery, patterns, accessories that meet individual needs and preferences. Designers can adapt existing patterns or create their own, which will lead to a more exclusive approach to designing clothes, accessories, and jewellery. The author's desire to draw attention to the influence of 3D printing on the cultural code sewn into ethnic decor in order to give new breath to traditional symbolism is the goal of this study. Ethnic motifs and patterns made on a 3D printer can serve as separate details of decor, as well as be elements of a clothing item itself in its various manifestations. Ethnic patterns are an important aspect of world fashion, reflecting the cultural heritage and traditions of different peoples. The identification of the degree of significance of modern technologies in the life of an artist of decorative and applied arts was the result of this study. According to the author, the introduction of 3D printing into the creative process of a designer expands their capabilities, stimulates the development of innovations, and transforms the fashion industry. The results of the study showed that 3D printing opens up unique opportunities for the creative process of a designer. However, the study also revealed a number of technical problems associated with 3D printing of clothes that need to be solved for the widespread implementation of this technology in the fashion industry. Further research and cooperation with such specialists as engineers and computer experts are necessary to fully realise the potential of 3D printing.
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Maria Preobrazhenskaya (2024) studied this question.
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