The purpose of this study is to identify the challenges necessary for the development of dance during the flourishing era of Korean culture, known as the K-Culture era. To this end, I examined K-Culture policies, analyzed the impact of these policies on the dance and dance community.The study found that the term K-Culture used in policy refers not to culture produced in Korea, but to culture that appropriately expresses Korean characteristics. It is used as a strategic policy term to expand the Korean Wave (Hallyu). To promote this K-Culture, the government is establishing and implementing growth-oriented and neo-nationalistic policies. As a result of these K-Culture policies, the dance art is affected by the distinction between what is K-Culture and what is not, a trend towards uniformity in the style of works, and an expansion of the social role of dance.Therefore, the challenges that the dance community must strive to accomplish are: first, solidarity within the dance community for the healthy development of dance art ecosystem; second, efforts to diversify the themes, styles, and experimentation in dance art; third, raising awareness about the recording of dance and its utilization; and fourth, the practical development of dance audiences.
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Yun-Young Choi (2024) studied this question.
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