This article examines the connection between the late Victorian lost world novel and the fraudulent or flawed maps that frequently punctuate its narratives. Drawing on sociological risk theory, it argues that the model of adventure structuring these texts is one of liminality and 'experiential tension,' and that their fraudulent geographies are a spatial counterpart to this liminal model. They promote an adventure characterized by perpetual potential and possibility, one we might more accurately term 'meta-adventure.' This model was central to both the imperialist enterprise during the late nineteenth century and to the discourse of 'hypothetical masculinity' that helped bolster and uphold it. The problematic geographies of these texts illuminate the ways in which fiction, masculinity, and adventure were mutually productive processes during the fin de siècle, and the ways in which this interrelationship was facilitated, at least in part, by the 'unmapping' of adventurous space.
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Elly McCausland (2024) studied this question.
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