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This article examines definitions of verse and descriptions of the relationships between meter and rhythm as proposed by scholars of Russian poetry. Building on their observations, the author devises a constructive definition of “meter” as a system of permissions and prohibitions governing the distribution of word stresses and word boundaries in a verse line. Additionally, the article proposes constructive definitions for the versification systems employed in Russian poetry.
Igor Pilshchikov (Mon,) studied this question.