This analysis reveals complexities of narrative duality in Châtelet – Lilas, highlighting social and intimate voices.
The author analyzes Châtelet – Lilas, Sébastien Ortiz’s “mythological novel”, which combines features of the social novel and “constrained writing” in the context of the protagonist’s double labour: a subway driver transporting passengers through the Parisian underground and a “tender narrator” (Tokarczuk) who transforms their silence into a story under the influence of “empathetic unsettlement” (LaCapra). The difficulty of this labour, analyzed from a mythocritical and sociological perspective, confronts us with the dilemmas of contemporary prose situated at the intersection of “intimate voices” and “social voices” (Martin-Achard), aiming to “re-enchant the world” (Maffesoli).
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Piotr Sadkowski (2025) studied this question.
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