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On October 24, 2023, as part of the scientific project of the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences “Literature through Philosophical Prism: the History of Russian Lyrics in V. Solovyov’s Aesthetics”, supported by the Russian Science Foundation (RSF, project No. 23-28-00800), with the participation of the Moscow State Budgetary Institution of Culture “‘A.F. Losev House’ – Research Library and Memorial Museum” and with informational support from the journal “Voprosy Filosofii”, an International Round Table “Philosophy of Poetry: Problems of Study” was held. During the round table, the following groups of questions were discussed: 1) How do literature and philosophy interact in Russian lyric poetry from the late 18th to the early 20th century, and what are the connections between philosophical ideas reflected in contemporary philosophical concepts prevalent in the intellectual environment? How was poetry perceived and interpreted by Russian philosophers (Vl. Solovyov, N.A. Berdyaev, S.N. Bulgakov, A.F. Losev, S.L. Frank, and others), and what are the forms of influence of their philosophical-aesthetic systems on poetic creativity, including through literary criticism? 2) What are the theoretical foundations and chronological boundaries of the existence of “philosophical poetry”? What are the similarities and differences between “philosophical poetry” and “poetry of thought”? What is the relevance and what are the epistemological possibilities of poetic anthropology, ontology, and gnoseology? 3) What are the mechanisms for generating philosophically rich symbols and mythologems in poetry? What are the teleological foundations of artistic rhythm? What function do the spatial-temporal coordinates that form the artistic world of lyric poetry serve?
Еlena А. Takho-Godi (Thu,) studied this question.