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The article explores the graphic works of Giancarlo Consonni, focusing on two of his recent publications: Incantamenti 1991-1998 and Apparenze e graffiti 1982-2001. It examines how Consonni’s works capture the viewer’s imagination through their delicate interplay of forms and colors, encouraging a phenomenological engagement with the artwork. The article draws connections between Consonni’s approach and philosophical concepts from Jean-Luc Marion and Ludwig Wittgenstein, emphasizing the transformative power of art to awaken a sense of wonder and meaning.
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Silvana Borutti (2024) studied this question.
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