What does this research mean for the field?

The transition from fixed form to process in VisualMusic relies on the reciprocal autonomy of image and sound and the use of the computer as an active interpreter of open and variable audiovisual systems. Novelty: ClaimNovelty.METHODOLOGICAL. Consensus alignment: ConsensusAlignment.NEUTRAL.

What question did this study set out to answer?

The publication explores the interrelationships among light, sound, image, and generative technology within the framework of VisualMusic research.

August 23, 2026Open Access

Antonio Barrese in dialogo con la mia VisualMusic: luce, suono, calcolatore e processi generativi / Antonio Barrese in Dialogue with My VisualMusic: Light, Sound, the Computer and Generative Processes

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Authors

SMSergio MaltagliatiAccademia di Belle Arti di Firenze

Discussion

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Overview

Qualitative theoretical reflection demonstrates the role of generative computational systems in audiovisual art, highlighting independent interactions between sound and visual forms.

Key Points

The publication explores the interrelationships among light, sound, image, and generative technology within the framework of VisualMusic research.
Critical reflection and historical contextualization inspired by Antonio Barrese's Morfologie di luce exhibition.
Theoretical examination of computational methods transitioning from fixed artistic forms to open, generative audiovisual processes.
Positions the computer as an active interpreter mediating open, dynamic, and mutually autonomous audiovisual systems.
Establishes historical and conceptual connections with early computer music and kinetic art figures including Gruppo MID, Pietro Grossi, and Iannis Xenakis.

Cite This Study

Sergio Maltagliati (2026) studied this question.

synapsesocial.com/papers/6a8aae407677a341144471de https://doi.org/10.5281/zenodo.22025635

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August 23, 2026Open Access

Antonio Barrese in dialogo con la mia VisualMusic: luce, suono, calcolatore e processi generativi / Antonio Barrese in Dialogue with My VisualMusic: Light, Sound, the Computer and Generative Processes

View Full Paper

Ask AI

Bookmark

Authors

SMSergio MaltagliatiAccademia di Belle Arti di Firenze

Discussion

Member takes

Overview

Qualitative theoretical reflection demonstrates the role of generative computational systems in audiovisual art, highlighting independent interactions between sound and visual forms.

Key Points

The publication explores the interrelationships among light, sound, image, and generative technology within the framework of VisualMusic research.
Critical reflection and historical contextualization inspired by Antonio Barrese's Morfologie di luce exhibition.
Theoretical examination of computational methods transitioning from fixed artistic forms to open, generative audiovisual processes.
Positions the computer as an active interpreter mediating open, dynamic, and mutually autonomous audiovisual systems.
Establishes historical and conceptual connections with early computer music and kinetic art figures including Gruppo MID, Pietro Grossi, and Iannis Xenakis.

Cite This Study

Sergio Maltagliati (2026) studied this question.

synapsesocial.com/papers/6a8aae407677a341144471de https://doi.org/10.5281/zenodo.22025635

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