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June 15, 2026Open Access

Visual Scores (1995–1997): Digital Visual Elaborations as Autonomous Scores and Generative Structures

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Authors

SMSergio MaltagliatiAccademia di Belle Arti di Firenze

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Implication

This publication documents digital visual elaborations exploring image as score in generative systems, highlighting artistic innovation.

Key Points

  • The aim is to investigate the relationships between image, sound, and notation through digital visual elaborations.
  • Created a series of digital visuals using an Atari Mega STE and various software from 1995-1997.
  • Focused on the concept of images functioning as scores rather than mere visual representations.
  • Documented works anticipate developments in Visual Music and Generative Art.
  • Demonstrated that images can be autonomous visual structures for observation rather than execution.
  • Explored potential sound emergence through image interpretation using generative codes and systems.
  • Provided a citable archival edition alongside the Internet Archive's collection of original image files.

Cite This Study

Sergio Maltagliati (2026) studied this question.

synapsesocial.com/papers/6a2f980ca1cfeec49082901chttps://doi.org/10.5281/zenodo.20677854
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1Sergio Maltagliati – Visual Music and Generative Works (1977–2026)2026
  2. 2Antonio Barrese in dialogo con la mia VisualMusic: luce, suono, calcolatore e processi generativi / Antonio Barrese in Dialogue with My VisualMusic: Light, Sound, the Computer and Generative Processes2026
  3. 3Circus 8 at Art Laboratory Berlin (2013): Exhibition Documentation and Archive Edition (2026)2026
  4. 4IRIDEM 2 (1991) for Clarinet and Trombone — Archive Edition 20262026
  5. 5INCICLO (1984): Graphic Score for Solo Trombone2026