This review concerns Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology, a work that applies Beauvoir’s existential philosophy of ambiguity to a selection of films by independent women filmmakers, demonstrating how cinema and philosophy may rethink life from new ethical-political perspectives through embodied epistemology and empathy.
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Graça P. Corrêa (2024) studied this question.
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