An examination of how director Quentin Tarantino rewrites the history of the Tate‐Labianca murders in the film Once Upon A Time in… Hollywood . By revising history and creating an alternate timeline where actress Sharon Tate is not murdered by Manson Family cultists, Tarantino is, in effect, also offering up a commentary on Hollywood itself. My essay will look at the artistic ramifications of these changes and how it affects viewer interpretations.
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Douglas B. Rasmussen (2024) studied this question.
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