The Book of Songs is the first collection of Chinese poems and the representative of Chinese classical culture. It plays an indelible role in the development of Chinese social culture. The Book of Songs not only boasts rhythm in reading, but also has a good effect in meaning expression and rhetoric. Taking the translation of The Book of Songs as an example, this thesis focuses on the study of aesthetic features in Xu Yuanchong’s translation from the perspective of Translation Aesthetics, and analyzes the translation aesthetic principles embodied in the translation cases. Poetry translation can be concluded that it not only requires accurate language, but also needs aesthetic features. Therefore, the translator should analyze the aesthetic features of the original poem before translating the poem, namely the beauty of meaning, sound and form. At the same time, the translator should give full play to his creative ability, and seek for the harmony and unity of meaning, sound and form on the basis of the original text, so as to make the translated poem equal to the original poem in aesthetic function.
Qingqing Zhang (Sat,) studied this question.