“The dead do not negotiate”: Hilary Mantel, The Mirror and the Light , and Britain’s obsession with history

Why do we remember the dead with such intensity in Britain, as if they were still among us? I argue that Hilary Mantel makes a critical intervention in this debate with her historical fictions Wolf Hall (2009), Bring Up the Bodies (2012) and The Mirror and the Light (2020). Her novels are theoretical and political interventions that allow us to critically evaluate historiographic, heritage and commemorative practices in contemporary Britain. I argue that they demonstrate the harmful consequences of commemorations centred around the continuous revival of the dead, because this practice justifies injuries against and negligence of the living through an appeal to imagined ancestors, who cannot engage in compromise or change their minds. This mode of knowing the past results in social standstill and the perception of social and political change as a threat. Thinking through the characteristics of this historical epistemology with Martin Davies, Walter Benjamin and Friedrich Nietzsche, I go on to argue that Hilary Mantel's intervention exposes the violent consequences of such a mode of knowing the past and proposes a radical alternative: rather than negotiating with the dead, it reminds us to focus on the needs of the vulnerable living in the present.