The article gives a comprehensive overview of the research of Aleksei F. Losev's works and intellectual heritage in China. It is noted that since the first publication about Losev in China since 1988 extensive achievements in this field have appeared. The information and the analysis about the results of researches of the Chinese specialists from different generations are presented. The main innovative aspects are revealed on the example of the study of Losev's aesthetic thought by the author of the article: comparison of the concepts and categories of Western and Chinese aesthetics related to Losev's philosophy. The peculiarities of the poetics of Losev's musical-philosophical prose and his “Eros” writing are revealed. The artistic world of Fyodor Dostoevsky is considered with the help of Losev's aesthetic theory of the symbol. The author believes that the study of Losev in China is on the rise and has broad prospects.
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Kun Liu (2024) studied this question.
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