“The Half Mother: An Inquiry into the Poetics of Resistance Literature” investigates the dynamic interplay between literary representation and political resistance in the context of the Kashmir conflict. This paper delves into how Shahnaz Bashir's novel, The Half Mother, exemplifies the genre of resistance literature by exploring the intersection of personal and collective trauma amidst a protracted conflict. The Kashmir Valley, historically a cradle of poetic and artistic expression, has faced profound devastation since the late 1980s due to a surge in violence and insurgency. This period, marked by intense militarization and human rights abuses, has given rise to a distinct body of English-language literature that seeks to authentically portray the lived experiences of its people.The study situates The Half Mother within the broader framework of resistance literature, drawing on Ghassan Kanafani's theoretical construct of resistance as both a cultural and political act. This study demonstrates how these literary efforts transcend mere chronicles of victimhood to engage in a profound examination of human resilience and the quest for self-determination. Bashir’s novel thus emerges as a pivotal text that not only contributes to the international literary discourse but also amplifies the voices of a marginalized and silenced population. The Half Mother encapsulates the transformation of individual suffering into a collective resistance, shedding light on the intrinsic link between literary creation and political struggle, and offering a poignant commentary on the enduring human spirit amidst adversity.
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Saran et al. (2024) studied this question.
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