The acceptance of Chinese emotional knowledge in Heo Nanseolheon’ domestic lyric

Heo Nanseolheon(許蘭雪軒) was a female writer in the middle of Joseon(朝鮮) Dynasty and created a number of works in which her true heart was put. Most of Heo Nanseolheon’domestic lyric are based on Chinese literary forms. This is the result of the benefits she received from his prestigious family in his youth. For this reason, it is natural that the accumulated knowledge of Nanseolheon became the foundation of his creation. Based on his accumulated creative awareness, Nanseolheon boldly used the Shiti(詩題) and Cipai(詞牌) in addition to freely using the form of Chinese literature itself. However, this is not a mere borrowing, but a complete understanding and understanding of China’s emotions. Therefore, Nanseolheon is trying to perfectly match his works with Chinese emotional knowledge. Not only that, but also in the framework of Chinese emotional knowledge that he formed, the artist’s affection melts without hesitation. Thus, the domestic lyric of Heo Nanseolheon are resurrected and revived in China after his death. And the background is that his has genuinely released his own story with the device of Chinese emotional knowledge. The distribution in China was also influenced by the background in which the artist’s voice, Heo Nanseolheon, was introduced to the familiar form and sensibility and was able to accept to accept it without any objection. Therefore, the purpose of this study is to examine the Chinese emotional knowledge and its acceptance method revealed in Heo Nanseolheon’domestic lyric. The attempt of this study has the value of examining the traces of aerodynamics that have been processed into more improved ones by accepting Chinese things.