The sound-symbolic potential of vocabulary in the work of E. D. Luchezarnova

The purpose of the study is to identify the specifics of the author's word formation in the work of E. D. Luchezarnova. The article proves that most of the author's neologisms within the rhythmological concept are based on the sound-symbolic phonetic significance, which gives the character of ornamentation to the texts as a structural principle of text formation. The methodology of the conducted research is presented and the data of psychosemantic experiments based on the semantic differential are presented. The scientific novelty of the study lies in the fact that a comparative analysis of the results of automated and audit studies shows the phonetic motivation of the occasionalisms that form the conceptual basis of E. D. Luchezarnova’s rhythmological concept. The results of qualitative and quantitative psycholinguistic analysis allow us to identify the complex internal structure of perception of rhythmological vocabulary. Based on the data obtained, it becomes possible to model the process of assimilation of the rhythmological concept, and prospects for the interpretation of E. D. Luchezarnova’s texts are outlined, taking into account the principles of ornamentalism.