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June 26, 2024Early Theatre

Vanessa I. Corredera. Reanimating Shakespeare’s Othello in Post-Racial America. Edinburgh: Edinburgh University Press, 2022.

Alexa Alice Joubin

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Abstract

This review considers Vanessa I Corredera's Reanimating Shakespeare’s Othello in Post-Racial America.

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Cite This Study

Alexa Alice Joubin (2024) studied this question.

synapsesocial.com/papers/68e633aeb6db6435875c56c5 https://doi.org/10.12745/et.27.1.5787

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Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

1A Postcolonial Study of Race and Discrimination in Shakespeare's OthelloOriginal Research · 2026
2Intertextual Reimagining of Desdemona: Feminist Revision, Postcolonial Memory, and Shakespearean AdaptationOriginal Research · 2026
3Playable Whiteness; or, My Week As IagoOriginal Research · 2026
4<i>Latinx Shakespeares: Staging U.S. Intracultural Theater</i>. By <scp>Carla Della Gatta</scp>2024
5“A Kind of Hamlet”: Rescripting Shakespeare and the Refusal of Racial Scripts in James Ijames’s Fat Ham2025

Critical Caste Studies and Shakespearean Cinemas: Reading Iru , a South Indian Film Adaptation of Othello2025
Debating Decolonization: The Use of Postcolonial Metatheatre in Murray Carlin’s <i>Not Now, Sweet Desdemona</i>2024
Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)2024
Callan Davies. What Is a Playhouse? England at Play, 1520-1620. Abingdon, Oxon: Routledge, 2023.Early Theatre · 2024
Hannah August. Playbooks and Their Readers in Early Modern England. New York and London: Routledge, 2022.Early Theatre · 2024

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