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The essay explores the intersection of critical caste studies with Shakespeare studies, advocating for deeper engagement with caste dynamics.

Critical Caste Studies and Shakespearean Cinemas: Reading Iru , a South Indian Film Adaptation of Othello

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This essay examines caste dynamics in Iru, a film adaptation of Othello, suggesting implications for Shakespeare studies.

The essay explores the intersection of critical caste studies with Shakespeare studies, advocating for deeper engagement with caste dynamics.
Analyzes the film Iru as a modern adaptation of Othello.
Examines the implications of caste as a power structure rather than mere analogy.
Investigates the intersection of gender and institutions in the context of caste.
Identifies caste hierarchy depicted in Iru as a diagnostic tool.
Suggests that Shakespeare studies can evolve through intersectional critiques.
Proposes methods for integrating critical caste insights into Shakespearean scholarship.

Ashley et al. (2025) studied this question.

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