This article pairs the worst of the biblical marriage metaphor texts, Ezekiel 16, with a feminist film about sexual violence, Promising Young Woman (2020). Strikingly, the God of Ezekiel 16 acts in ways that closely resemble the would-be rapists and “good guys” of Promising Young Woman. Furthermore, the portraits of female revenge in Promising Young Woman and Ana Lily Amirpour's A Girl Walks Home Alone at Night (2014) suggest new ways of reading the seemingly monolithic gender violence of text.
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Rhiannon Graybill (2024) studied this question.
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