This analysis defends that phenomenal consciousness holds aesthetic value, suggesting a new avenue within aesthetics.
This paper defends four main theses. First, at least some conscious experiences are aesthetically valuable. Second, phenomenal consciousness as a whole – as a general phenomenon – is plausibly an aesthetically valuable addition to the universe. Third, the fact that something like phenomenal consciousness exists in a world otherwise consisting in particles mindlessly buzzing in mostly empty space merits the kind of awe characteristic of the aesthetic category of the sublime. Fourth, given all of the above, consciousness aesthetics is a viable branch of aesthetics. A fifth and more daring thesis is also explored: that all aesthetic value is originally in consciousness.
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Uriah Kriegel (2025) studied this question.
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