Dan Dedius Rafales can be understood as a transposition of the plot of a novel by Emily Brontë; first in a naïve hermeneutics of the narrative, but then also by means of a semiology of the body designed by Roland Barthes, in which the fate of the protagonist is empirically actualized by the interpreter, and finally in an analysis related to the material itself, whose disruption on a meta-level becomes an analogy of the plot of the novel.
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Michael Heinemann (2024) studied this question.
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