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This paper introduces a recently restored late-medieval tower house called the Dobbins, located in the historic town of Carrickfergus, Northern Ireland. The restoration process transformed what appeared visually as a Georgian house into a medieval-esque tower house. Despite considerable historical and archaeological research prior to the restoration, the responses from the local community were mixed. This ignited a discussion surrounding whether or not the Dobbins is authentic. Multiple understandings of authenticity are used to analyse the restoration results and evaluate whether a desire for authenticity can be detected. It is clear that authenticity is a myriad of complexities and contradictions comprising tangible, intangible, stable and dynamic elements, and when this is a motivation for restoration the complexity is embedded in the result. This is deconstructed to find that tourism and local identities underpinned the motivation for authenticity and their role in influencing the hierarchy of narratives retold through the restored Dobbins will be discussed. By exploring the authenticity craze through the prism of the Dobbins, this paper allows a deeper understanding of the term to be generated.
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Kerr et al. (2024) studied this question.
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