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In pursuit of its mission to preserve traditional Japanese performing arts, the first National Theatre of Japan predominantly showcased Kabuki performances since its establishment in 1966. This article examines the proposed redevelopment concept for this theatre within the context of the current landscape of Kabuki productions. It sheds light on the Japanese government’s inclination to diminish its role in the future National Theatre’s construction scheduled to open in 2029, opting to realize it as a Private Partnership Project. This strategic shift underscores a focus on the tourist appeal of the rebuilt theatre while concurrently preserving its interdependent relationship with Shōchiku in Kabuki productions.
Annegret BERGMANN (Sun,) studied this question.
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