The article examines male-coded jest and mockery speeches as well as stagings of chivalric combat in Konrad von Würzburg’s Partonopier und Meliûr as complementary performances of hövescheit , dealing with the ambivalence and dynamics of male-to-male bonding between equality, agonality and hierarchy, rivalry and friendship. In this context, the functionally subordinate difference of faith becomes a test case for the validity of hövescheit .
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Margeth Egidi (2024) studied this question.
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