Historical review reveals the synthesis of constructivism and romanticism in interwar Polish scenography, highlighting the spatial transformation of national myth.
Key Points
Interwar Polish theatre transformed stage space organization through avant-garde scenography, fusing constructivist design principles with enduring romanticism.
Historical analysis reveals close collaboration between avant-garde architects and stage designers, yielding innovative concepts like the Simultaneous theatre project.
Highlights how interwar practitioners reinterpreted national romantic heritage through constructivism, establishing a distinctive spatial identity in modern European drama.