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Purpose: the article deals with the issues of prospects of development of musical sound engineering in the newly established National Variety Art Institute named after B. Zakirov, at the State Conservatory of Uzbekistan.Methods: observations, system analysis, theoretical knowledge, historical method. Scientific novelty:The paper studies the origins of pop art sound recording, in particular the vocal-instrumental course.It also analyses the activities of the founders of sound engineering working in the field of pop music, who were engaged in promoting and changing their key fundamentals, combining art and technique, creating new kinds of sounds, synthesizing this with the national aspects and culture of Uzbekistan.Practical importance: the provisions and conclusions can be used in scientific and pedagogical activities, the historical aspect of which is necessary in the training of specialists.
Avazbek Mirzaev (Tue,) studied this question.