As a master's student investigating curricular decolonisation at South African tertiary music departments, I found myself in a chain of fear driven by previous contestations of similar critical projects. Despite stringently following the institutional ethics requirements, ethical concerns regarding the critical content of my work were still raised, perpetuating this fear. In this article, I discuss my concerns that the issues raised stemmed from an environment in which moral knowledge has become codified in a template for ethical research. I consider the problems that occur when ethical procedures such as anonymity, protecting ‘vulnerable’ interviewees and member checking become mere tick-boxes on a template for ethical research, as well as how such templates can become a method of imbuing fear into the researcher. In conclusion, I propose the development of an ethical praxis premised on an ethics of care that enables, rather than stymies, critical research.
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Mieke Struwig (2024) studied this question.
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