This article analyzes the theatrical experiment O Bosque, composed of three autobiographical solos that explore the possibilities of interweaving the personal and the political in documentary theater. Through the investigation of family memories shared by the actress-creators and a polyphonic theoretical dialogue, with names such as Annie Ernaux, Janaina Leite and bell hooks, this paper aims to comprehend, based on a critical perspective, the social relevance of the family approach based on the diversity of experiences presented.
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Copque et al. (2024) studied this question.
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