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In October 2021, I interviewed three Chinese professional dancers who had completed undergraduate dance degrees in China and pursued their MFA in Dance degrees in the US. Their bi-cultural experiences and unique training narratives motivated me to re-search the Chinese dancing bodies beyond the borders. In this article, I draw on Robin Nelson’s methodologies of Practice/Performance as Research and Diana Taylor’s Performance Studies theory of the archive to examine the performativity of my interviewees’ dance experiences and my own educational experiences in both the US and in China. I explore how Chinese dancers, with their distinctive, yellow-skinned appearance, embody the national spirit and cultural traditions of China as they navigate various dance practices across the diverse landscape of the United States. Through their daily movements, these dancers inhabit a space of in-betweenness, leaving indelible but untraceable traces of their experiences on their bodies. My analysis delves into how these dancers, through their encounters in the field of dance and performance in the US, reinterpret their cultural memories, social identities, and socialist ideologies through choreography. Drawing from my own cross-border experiences between the US and China, I approach the examination of their performances through interviews, textual analysis, and movement interpretations.
Yi An (Tue,) studied this question.