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Space is one of the important areas of film industry research. It is not only an important medium to simply understand the relationship between film and social reality, but also an important channel to read artists' thoughts and analyze what artists want to express and how to express them. South Korean director Lee Chang-dong is known as the "poet who asks for life" and his unique spatial awareness builds a personal influence vein full of writing. The space in Lee Chang-dong's films not only records the growth of individuals and the changes of cities, but also becomes a place where various powers compete with each other, showing the painful memories of the oppression of individuals by The Times.First of all, the paper divides the film space of Li Changdong into visual narrative space and auditory supplementary narrative space. By studying different spatial characteristics and presentation ways, it brings people's thinking behind it. Secondly, starting from the narrative function of the film, this paper studies how the space successfully participates in the narrative and becomes the narrative driving force of the film, thus affecting the narrative structure of the film and participating in the character modeling in the film. Thirdly, through some artistic languages such as sound and color, an orderly space environment is created. Finally, the paper combines the realistic point of view to study the unique spatial consciousness of director Li Changdong from his own point of view to analyze the significance behind the spatial narrative.In this paper, the spatial types, narrative functions, narrative techniques and the meaning behind Li Changdong's films are studied. Through the study of spatial narrative, I want to understand the film style and main ideas of director Li Changdong, and understand personal survival mode and living soil behind it through the entry point of space.
Y Li (Wed,) studied this question.