العدد الثامن والعشرون - الجزء الأول (النسخة الكاملة)

This research dealt with one of the most prominent phenomena that has appeared in contemporary Saudi feminism, which is the phenomenon of (visual formation), and one of the manifestations of this phenomenon that the study monitored is: whiteness with silence, by leaving out the sub-legal sentence, by leaving out one or more of its components, and this sentence can be called (The open sentence), and the third technical one, appeared remarkably among Saudi women poets in the titles of their poems.Another technique of whiteness is cutting the pieces of a sentence, breaking it up, and scattering its components over the poetic lines.This type came to Saudi women poets in the titles of poems and within them.This technique also includes distributing the letters of a single word by separating their typographical connection onto the poetic lines.Employing the whiteness technique, which combines verbal writing and visual whiteness, leads to the presence of two texts: a text closed with writing and an open text with whiteness.Among the phenomena of visual composition is the use of punctuation marks in different visual forms, and one of the most prominent signs present among contemporary Saudi female poets is the ellipsis (...), which makes the title open to many interpretations.Also including: employing the tide of the thousand in a shocking visual way.Saudi female poets repeated Alif Madd more than once in one word in some poem titles, and this formed a visual, linguistic, typographical/spatial, and audio/temporal phenomenon.