Social media photographs are powerful tools for articulating various forms of identities and selfhood. However, literature on African photography has paid little attention to a specific genre of social media images: memorial photographs. In this article, I examine how memorial portrait photos of Nigeria's nationalists shared on three Nigerian Facebook pages ("Nigeria Nostalgia Project 1960-1980," "Tudun Tsira," and "Asiri") generate massive online responses that challenge official histories and identities of Nigeria. I analyzed 500 comments and interviewed 150 commenters over three years. I found that first, the photos revealed users' disaffection with Nigeria's flag independence when contrasted with current political events; secondly, the photos elicit subtle feelings of nostalgia that problematized the concept of Nigeria's unity; thirdly, commenters' identification with each nationalist as one of their ethnic heroes never undermined a collective verdict that all the nationalists are national heroes; and lastly, many comments linked sartorial choices to ethnic politics. I argue that these photos produce a new online history that challenges official visual narratives disseminated through government archives.
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Okechukwu Nwafor (2024) studied this question.
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