This essay suggests that the apophatic mode of theology and spirituality is especially well illuminated when brought into conversation with poetry’s rhetorical power to make ‘no-thing’ happen. By attending to poetry’s theological horizons, especially by what Michael Symmons Roberts calls poetry’s ’semi-sacred role’ and its capacity to embody silence and space, I shall suggest that it is possible to come to a richer understanding of God’s transcendent elusiveness.
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Rachel Mann (2024) studied this question.
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