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This essay examines the extent to which Siegfried Kracauer's novel Ginster (1928) displays a 'cinematic style of writing'. To this end, the first step is to reconstruct Kracauer's perspective on film, which characterises his film texts written in the Weimar Republic. On this basis, the structural analogies between the film-specific modes of representation, as he understood them, and the novel Ginster will then be investigated.
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Elke Dubbels (2024) studied this question.
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