Ran’s Diary : Sexually Suggestive Protest and Counterpublic Discourse Staged by Asian Others in South Korea

This article examines how theatres of migration in the professional sphere intervene in contemporary social issues around Asian immigrants in multicultural South Korea. Of those from other Asian countries , Ranui ilgi (Ran’s Diary, 2011) concerns female marriage migrants, confronting its non-migrant South Korean spectators with an uncomfortable and neglected reality of the migrant women’s cross-border marriages with ethnic South Korean men. Along with a specific focus on the group of marginalized Asian others in the country, the sexually suggestive mise-en-scène particularly calls the attention of the audience. In this article, I first offer a brief overview of the societal backgrounds and effects of an unprecedented influx of Asian brides into South Korea, a country with a long-held fetish for ethnic homogeneity. Then, I analyze Ran’s Diary in terms of the play’s critical perspective on inter-Asian marriages, its strategic focus on and staging of a sexually victimized female Asian migrant character, and the authentic as well as culturally conscious representation of lived experiences of those immigrants in the host country. In my conclusion, I argue that this sexually-charged performance functions as a protest against the dominant public, generating a counterpublic discourse .