Together, We Can Design Utopia!

At REUSE 2019, ecofeminist art, like a plein-air extension of minimalism, mostly 'Oceanic' explorations, interventions, installations, and performance art, celebrated a clear break from traditional practices of art making, art appreciation, and art theory. Unlike landscape painting, nature photography, and outdoor sculpture parks, as an ecofeminist movement, REUSE 2019 incorporated the oceans not merely as a subject or setting for the artwork but as an integral part of our trans-species co-existence. The exhibits were organized in an open, elongated maze-like Discovery Place as Nonsites, composed into an "abstract reality" of the experience of the natural site (Morris 1993, 46; Ryan 2007, 95–116). The Nonsite Discovery Place invited spectators of different age groups and nationalities; it disrupted the restricted viewing of a high-art galleria.