In this article considered the originality of piano music in Uzbekistan in the simultaneous coexistence of different directions in the work of one composer.The piano work of composer M. Bafoev is an example of this phenomenon.The role of miniatures both in the work of the chosen composer and in modern music.The unification of the culture of East and West in the works of M. Bafoev.Study of the stylistic features of M. Bafoev's piano works in the context of the historical traditions of piano creativity in conjunction with modern compositional techniques and the national origin of creativity.
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Osetrova Vlada Anatol’evna (2024) studied this question.
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