Not Just a Women Artists’s Show: Curatorial Challenges for the Exhibition of Women Artists in a Public Collection

Using a practical case study co-curated by the author and Garazi Ansa as a departing point for reflection, this article addresses a number of questions that arise when organizing exhibitions of female artists in collections. First, it examines the danger of falling into categories such as “women artists.” Second, it discusses the possibilities for the exhibition to have an impact on other activities of the museum, such as collecting. Finally, it proposes alternatives to extend the curatorial purpose on time by other by-practices, such as editing children’s book about the exhibited artists.