Comic art illustrates survivor stories and folk culture, highlighting challenges for documenters in their narratives.
Comics can be an important and overlooked transmitter of folk culture through documentation of everyday practices and experiences. As comics have often been a way of telling survivor stories, it is possible to look at how informal comic-making not only plays a role in presenting survivor testimony but also makes for a fuller form of ethnographic and autoethnographic documentation. In this comics-form contribution, I will address how my role as a tradition bearer of a family comic art practice was combined with an ethnographic research background in 2020 to create Derecho Days, a series of daily comic panels about life in the wake of the catastrophic derecho in Cedar Rapids, Iowa. This piece strives to demonstrate the challenges that survivor-folklorists may face when determining what, when, and how to document their experiences.
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Nic Hartmann (2025) studied this question.
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