Comparative study of russian toska and existential angst in cultural contexts, highlighting their differences and similarities.
The article presents a comparative analysis of the phenomenon of Russian «toska» and Western existential fear (Angst), conducted in the context of two conceptual spheres. The motivation for this analysis is driven by the relevance of the situation of interaction between European and traditional Russian worldview paradigms. Philosophical interpretations of melancholy by Russian thinkers such as N.A. Berdyaev, I.A. Ilyin, S.G. Lishaev, and others are considered, as well as corresponding analyses of Angst in the Western philosophical tradition, presented by S. Kierkegaard, M. Heidegger, J.-P. Sartre, and others. It is shown that both phenomena are diffuse and amorphous, related to the experience of «nothingness.» However, they differ in their semantic orientation: Russian melancholy is oriented towards the transcendent, while Western existential fear (Angst) is directed towards the awareness of existential nothingness. In conclusion, it is argued that despite their common existential nature, these states are determined by the historical and cultural context and act as catalysts for expanding consciousness and achieving authentic existence.
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Maxim Gorshenin (2025) studied this question.
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