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This essay highlights creative writing techniques in film history, suggesting informed speculation may enrich scholarship.
Feminist scholars are increasingly embracing speculative methods in the writing of film and media history. This article aims to encourage the practice of informed speculation as a method by outlining the arguments for the speculative turn and cautioning against the potential risks attendant to speculative approaches. The essay offers an invitation to embrace forms of imaginative, creative, and experimental writing of film and media history while at the same time urging rigorous and responsible scholarship.
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Allyson Nadia Field (2025) studied this question.
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