Analysis reveals public perception and sentiment towards Changchun's Manchurian architecture, suggesting improved cultural regeneration strategies.
As tangible relics of modern colonial history, Manchurian regime (Manchukuo) architecture of Changchun possesses both historical commemorative value and tourism and cultural functions. Public perception and sentiment regarding this heritage in the contemporary social media context are key dimensions for evaluating the effectiveness of cultural regeneration. Existing research on Manchurian regime architecture has focused primarily on historical research and architectural form analysis, with limited research examining the diverse public interpretations of its cultural value through multi-platform social media data. This study aims to systematically explore the public’s cognitive characteristics, sentimental attitudes, and themes of interest regarding Changchun’s Manchurian regime architecture using online ethnographic data, providing empirical support for optimizing cultural regeneration pathways for Manchurian regime architectural heritage. The study collected data from 1 January 2020 to 20 September 2025, using the keyword “Changchun Manchurian regime architecture”. Using Python crawlers, the study extracted 334 original videos and 18,156 related comments from Douyin, Ctrip, and Dianping. The analysis was conducted using word frequency statistics, SnowNLP sentiment analysis, LDA topic modeling, and multidimensional visualization. The study found that (1) word frequency statistics show that the public has multiple concerns about the historical symbols, geographical positioning, cultural and tourism functions, and national emotions of Manchurian regime architecture; (2) SnowNLP analysis shows that positive comments account for 71%, neutral comments account for 11%, and negative comments account for 18%; (3) the optimal number of topics was determined to be five through perplexity and consistency indicators, namely “historical narrative and imperial power symbols”, “emotional experience and historical reflection”, “visit experience and service facilities”, “site distribution and regional space”, and “explanation and tour evaluation”; (4) the corpus can be divided into five time period stages, namely S1 (2020)–S5 (2024–2025), reflecting the shift in public attention from “space-facilities” to in-depth reflection on “emotion-history”.
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Zhang et al. (2025) studied this question.
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