Analysis uncovers how trauma and emotions impact national identity in Norwegian sailors and their communities during and after the war.
In recent years, Norwegian cultural production has increasingly foregrounded the experiences of sailors serving aboard merchant vessels allied with the British during the Second World War. These men endured not only physical injuries from submarine and aerial attacks, but also profound psychic trauma, often manifesting in post-war alcoholism and depression. However, the war at sea also left indelible marks on women’s bodies. This article examines Vigdis Stokkelien’s trilogy on Gro—Lille-Gibraltar (Little Gibraltar, 1972), Båten under solseilet (The boat under the sun sail, 1982), and Stjerneleden (The star joint, 1984)—to explore how emotions as fear, shame and pain circulate between different individuals and groups during the war and in war memories. Drawing on affect theory, this reading of Stokkelien’s novels demonstrates how what happened at sea marked Norwegian bodies and national identity for a long time after the war.
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Christine Hamm (2025) studied this question.
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