This essay examines how archival practices in two films challenge imperial discourses in the Iraq War and Palestine conflict, suggesting creative resistance.
This essay explores the appropriation and creative interpretation of audiovisual archives in cinematic representations of the Iraq war and the Israel/Palestine conflict. It showcases the political possibilities of imperial archives in Testimonies from Fallujah (Hamodi Jasim, 2004) and A Fidai Film (Kamal Aljafari, 2024), two medium-length compilation films that repurpose American and Israeli hegemonic media and fictional footage. Despite their historical, geopolitical, and production differences, the two films share a similar engagement with and against the imperial film and media archive. This essay examines the two films’ archival practices. It argues that the reuse of imperial materials in Testimonies from Fallujah and A Fidai effectively disputes underlying imperial discourses and structures of power in the mediation and filmic representation of the Iraq war and the conflict in Palestine.
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Pablo Alvarez (2025) studied this question.
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