Poetic documentary reveals complex narratives in Vietnam, indicating the significance of oral histories and culture.
This article discusses the research and methods undertaken in the creation of the poetic documentary feature film Dust & Metal (Cát bụi & Kim loại), directed by Esther Johnson (2022). Funded by the British Council, the film offers alternative perspectives of Vietnam, moving beyond Hollywood’s portrayals of the American/Vietnam War. Through a combination of difficult-to-access archive film, crowd-sourced material, newly shot footage, and oral histories, the research reveals unfamiliar histories of freedom in Vietnam that connect with the country’s most ubiquitous mode of transport: the motorbike and, previously, the bicycle. Dust & Metal concurrently acts as a whistle-stop tour through the history of Vietnamese cinema as shot by the film studios supported by the Vietnamese Ministry of Culture.
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Esther Johnson (2025) studied this question.
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